Blip music – or bitpop or 8-bit or chiptune music – gets its own four-day US festival this weekend with the inaugural Blip Festival in New York. It’s not exactly new, nor a phenomenon, nor a craze sweeping any nation any time soon, but there are a lot of guys out there who enjoy making shrill, cheap-sounding electronic pop music on old Commodore 64s, Ataris and Game Boys, and now they can all get together and discuss the future of circuit-bending...
Listen: Bubblyfish - "Ah"
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Money and hip hop will always go together, even in places where only the latter exists. Coming straight outta Brownsville, Brooklyn - the second biggest project housing unit in the US - El Tysheikh talks about making it in the rap game even if you can't do the math.
Vice: So Sheikh, what’s your story?
El Tysheikh: Me and my boys, we were the first artists signed to Rawkus. We was called The Rose Family. Look, I just had so many opportunities and the door just closed. It was so close so many times ...
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Notes on Breakcore is a warts-and-all rave-doc about the international
breakcore scene starring a lot of badly dressed men with terrible haircuts
talking about a style of electronic dance music that, when played at high
volume, is the kind of savage racket that’s used to gently coax answers out
of inmates at Guantanemo Bay (well, they’ve used Throbbing Gristle live
albums in there in the past).
Breakcore is the bastard hate child of jungle, happy hardcore, techno,
electronica, acid house, ragga, electro and dub...
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Ratatat are two guys from New York who make effortless, sample heavy, instrumental genius and their latest album, Classics, has been on high rotation in our office since the second it came out. They're playing around Aussie and NZ this week and the first person to email us here from each city will get a double pass to the show.
Continue reading "Australia & NZ- Ratatat Shows" »

Kanye West threw a shitfit when he didn't win Best Video at the recent MTV Europe Awards. He crashed the stage, grabbed the mic and blubbed about how his "Touch The Sky" video should've won because it cost $1 million, had Pamela Anderson in it, and featured him jumping a canyon on a motorcycle. Kanye later said his outburst was caused by him being "sippy sippy", rebutting onlookers who might've thought that the glaring eyes and egomaniacal tirade were triggered by another substance.
French DJ duo Justice, whose "We Are You Friends" video won the award, were on tour in the US at the time of the ceremony. But we caught up with Xavier and asked him what he thought of the whole kerfuffle...
Continue reading "JUSTICE vs Kanye" »
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